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Cet essai monographique est le premier à s'attacher à l'ensemble du parcours de Nil Yalter, artiste franco-turque née en 1938. L'analyse détaillée de la quarantaine de projets multimédia (1958-2018), résultat de vingt années de compagnonnage entre l'artiste et l'auteure, les situe dans leurs contextes culturel, politique et social. Fabienne Dumont s'attache aux tout premiers débuts de l'artiste en Turquie, en tant que peintre abstraite, puis à son arrivée à Paris avec un passage vers une peinture constructiviste, avant la rupture de 1972 et le basculement vers des projets sociocritiques. L'influence de l'ethnographie et des événements politiques et sociaux devient centrale, et les oeuvres s'ancrent dans des lieux particuliers, liés à l'histoire des immigrations des années 1970-1980 en France, à l'histoire ouvrière des usines, mêlant les croyances des protagonistes aux luttes concrètes pour améliorer leurs conditions de vie. Associant vidéo, dessin, texte, collage de matériaux, photographie argentique et Polaroid, Nil Yalter investit un champ nouveau avec une perspective féministe et marxiste.
Multimedia (Art) --- Feminism and art --- Women artists --- Attitudes. --- Yalter, Nil, --- migration [function] --- feminism --- multimedia artists --- Yalter, Nil
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Art --- collages [visual works] --- installations [visual works] --- photography [process] --- migration [function] --- feminism --- video art --- performance art --- gender issues --- minorities --- Yalter, Nil
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Yalter, Nil --- Kunst --- installaties [kunstwerken] --- tekenen --- schilderen [kunst] --- fotografie --- migratie --- videokunst [kunstwerken] --- seksekwesties --- politieke kunst --- vrouwen --- Art --- installations [visual works] --- drawing [image-making] --- painting [image-making] --- photography [process] --- migration [function] --- video art --- gender issues --- political art --- women [female humans]
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The first in-depth study of the life and art of Nil Yalter, a pioneer in the French feminist art movement of the 1970s, this book portrays her as an artist who continues to bear witness to the society in which she lives from a critically sensitive viewpoint. Of Turkish origins and having lived in Paris since 1965, she was active in counter-culture and political movements of the time and has experimented in different media including drawing, photography, video and performance art. Much of her work deals with gender, patriarchy and the issues surrounding migrant workers. Richly illustrated, with an interview plus fascinating texts by Derya Yücel, Juan Vicente Aliaga and Fabienne Dumont.
Art --- feminism --- Contemporary [style of art] --- Yalter, Nil --- kunst --- twintigste euw --- eenentwintigste eeuw --- 7.071 YALTER --- sjamanisme --- Turkije --- kunst en politiek --- migratie --- performance --- video-installaties --- videokunst --- video --- fotografie --- tekenkunst --- Frankrijk --- gender studies --- feminisme
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Art styles --- Iconography --- Art --- earthworks [sculpture] --- art [discipline] --- Nature --- Neuenhausen, Siegfried --- Pignon-Ernest, Ernest --- Lüscher, Ingeborg --- Kahlen, Wolf --- Schwegler, Fritz --- Schweizer, Helmut --- Baladi, Roland --- Lublin, Lea --- Büttenbender, Gerhard --- Gilles, Richard --- Kawiak, Tomek --- Magdalinski, Erika --- Moucha, Miroslav --- Rabascall, Joan --- Sosno, Alexandre --- Saul, Manfred --- Trommer, Gerhard --- Yalter, Nil --- Plessi, Fabrizio --- Bertrand, Jean Pierre --- Fischer, Hervé --- Forest, Fred --- Hawoli --- Kuppel, Edmund --- Thenot, Jean-Paul --- Ulrichs, Timm --- Poirier, Anne --- Ritterbusch, Klaus --- anno 1900-1999 --- anno 2000-2099 --- Germany --- France
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"The group exhibition WOMAN : The Feminist Avant-Garde of the 1970s: Works from the SAMMLUNG VERBUND, Vienna, unites 450 works by 29 female artists. The history of art showed the 'image of woman' as the product of male projections. In the 1970's, for the first time, female artists themselves created 'the image of woman'. They studied their own bodies and grasped the prospect of determined feminine identities in a provocative, radical, poetic and ironic manner. Curator Gabriele Schor refers to this movement as the 'Feminist Avant-Garde' emphasizing the pioneering and collective role that these artists have played for the last four decades."
kunst --- twintigste eeuw --- fotografie --- video --- videokunst --- seventies --- feminisme --- verzamelingen --- collecties --- Sammlung Verbund --- Almeida Helena --- Antin Eleanor --- Bertlmann Renate --- Burga Teresa --- Dujourie Lili --- Edelson Mary Beth --- Export Valie --- VALIE EXPORT --- Ferrer Esther --- Hunter Alexis --- Ivekovic Sanja --- Jürgenssen Birgit --- Labowitz Leslie --- Lacy Suzanne --- Lake Suzy --- La Rocca Ketty --- Mendieta Ana --- Myers Rita --- Pane Gina --- Partum Ewa --- Rosler Martha --- Schneemann Carolee --- Sherman Cindy --- Slinger Penny --- Soltau Annegret --- Wilke Hannah --- Wilson Martha --- Woodman Francesca --- Yalter Nil --- 7.038 --- 791.45 --- 77.038 --- Exhibitions --- Femme artiste --- Photographe --- Exposition --- Avant-garde --- Années 1970 --- Feminism and art --- Women artists --- Women in art --- Art [Modern ] --- 20th century --- Themes, motives --- Performance art --- Art, Modern --- Feminism in art --- Avant-garde (Aesthetics) --- Sammlung Verbund.
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kunst --- Sammlung Verbund --- eenentwintigste eeuw --- ruimtelijkheid --- ruimte --- 77.039 --- 7.039 --- 77.038/039 --- 7.038/039 --- Yalter Nil --- Wojnarowicz David --- Welling James --- Wall Jeff --- Sandback Fred --- Özgen Erkan --- Özmen Sener --- Neto Ernesto --- Monzavi Tahmineh --- McCall Anthony --- Mayer Ursula --- twintigste eeuw --- Matta-Clark Gordon --- Lawler Louise --- Koester Joachim --- Birchler Alexander --- Hubbard Teresa --- Gill Simryn --- Floyer Ceal --- Bures Miller George --- Cardiff Janet --- Burr Tom --- Bloom Barbara --- Becher Hilla --- architectuurfotografie --- Becher Bernd --- Antin Eleanor --- Alÿs Francis --- Acconci Vito --- fotografie --- stedenbouw --- stedelijkheid --- kunst en architectuur --- architectuur --- Exhibitions --- Art [Modern ] --- 20th century --- 21st century
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avant-garde --- identity --- sexuality --- body art [visual works, performance] --- Photography --- Art --- performance art --- feminism --- women [female humans] --- Dujourie, Lili --- Almeida, Helena --- Bertlmann, Renate --- Edelson, Mary Beth --- Benglis, Lynda --- Bernstein, Judith --- Christanell, Linda --- Barger, Anneke --- Hershman, Lynn --- Ferrer, Esther --- Export, Valie --- Campagnano, Marcella --- Antin, Eleanor --- Eisenegger, Renate --- Chicago, Judy --- Burga, Teresa --- anno 1970-1979 --- private collections --- O'Grady, Lorraine --- Iveković, Sanja --- Slinger, Penny --- Pezold, Friederike --- Mack, Karin --- Soltau, Annegret --- Sherman, Cindy --- Schouten, Lydia --- Yalter, Nil --- Partum, Ewa --- Pane, Gina --- Parente, Letícia --- Justesen, Kirsten --- Wilke, Hannah --- Hunter, Alexis --- Ladik, Katalin --- Pilz, Margot --- Rocca, La, Ketty --- Rosenbach, Ulrike --- Lacy, Suzanne --- Mendieta, Ana --- Myers, Rita --- Woodman, Francesca --- Lang, Brigitte --- Labowitz, Leslie --- Schneemann, Carolee --- Rosler, Martha --- Orlan --- Lake, Suzy --- Jürgenssen, Birgit --- Santoro, Suzanne --- Sammlung Verbund --- Sammlung Verbund. --- private collections [object groupings] --- lichaam (van de mens) --- social criticism
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‘Het afwezige museum’ is een grote thematische tentoonstelling die de problematiek van de afwezigheid van musea in brede publieke debatten centraal stelt. Welke relatie kan er bestaan tussen een historisch bewustzijn en een esthetisch engagement? Hoe kunnen kunstenaars omgaan met de paradoxen van de mondialisering en de turbulentie van de geschiedenis en tevens hun eigen gevoeligheden en individuele expressie behouden? Werken en producties van ongeveer 49 kunstenaars. Met: Francis Alÿs, Archives de l’Ambassade Universelle, Tarek Atoui, Jo Baer, Monika Baer, Sammy Baloji, Guillaume Bijl, Marcel Broodthaers, stanley brouwn, Daniel Dewar & Gregory Gicquel, Marlene Dumas, Jimmie Durham, Jana Euler, Olivier Foulon, Michel François, Ellen Gallagher, Isa Genzken, Jef Geys, Jos de Gruyter & Harald Thys, Thomas Hirschhorn, Carsten Höller, Ann Veronica Janssens, Martin Kippenberger, Goshka Macuga, Mark Manders, Lucy McKenzie, Wesley Meuris, Jean-Luc Moulène, Le Mur, Oscar Murillo, Otobong Nkanga, Willem Oorebeek, Marina Pinsky, Lili Reynaud-Dewar, Gerhard Richter, Walter Swennen, Wolfgang Tillmans, Rosemarie Trockel, Luc Tuymans, Peter Wächtler, Christopher Williams, Nil Yalter…'
kunst --- eenentwintigste eeuw --- museologie --- Yalter Nil --- Williams Christopher --- Wächtler Peter --- Venlet Richard --- Tuymans Luc --- Trockel Rosemarie --- Tillmans Wolfgang --- Swennen Walter --- Richter Gerhard --- Reynaud-Dewar Lili --- Pinsky Marina --- Oorebeek Willem --- Nussbaum Felix --- Nkanga Otobong --- Murillo Oscar --- Le Mur --- Moulène Jean-Luc --- Mosquito Nástio --- Meuris Wesley --- McKenzie Lucy --- Manders Mark --- Macuga Goshka --- Kippenberger Martin --- Janssens Ann Veronica --- Jamie Cameron --- Höller Carsten --- Hirschhorn Thomas --- Thys Harald --- De Gruyter Jos --- 7.039 --- 069 --- Geys Jef --- Genzken Isa --- Garabedian Mekhitar --- Gallagher Ellen --- François Michel --- Foulon Olivier --- Euler Jana --- Durham Jimmie --- Dumas Marlene --- Gicquel Grégory --- Dewar Daniel --- brouwn stanley --- Broodthaers Marcel --- Braeckman Dirk --- Bijl Guillaume --- Baloji Sammy --- Baer Monika --- Baer Jo --- Baba-Ali Younes --- Archief van de Universele Ambassade --- Alÿs Francis --- Brussel --- België --- musea --- Exhibitions --- museology --- Contemporary [style of art] --- Museology --- Art --- Thys, Harald --- Höller, Carsten --- Venlet, Richard --- McKenzie, Lucy --- Foulon, Olivier --- Manders, Mark --- Tillmans, Wolfgang --- Garabedian, Mekhitar --- Alÿs, Francis --- Durham, Jimmie --- Baer, Monika --- Oorebeek, Willem --- Geys, Jef --- Brouwn, Stanley --- François, Michel --- Gruyter, de, Jos --- Murillo, Oscar --- Nkanga, Otobong --- Yalter, Nil --- Dewar & Gicquel --- Dumas, Marlene --- Tuymans, Luc --- Nussbaum, Felix --- Reynaud-Dewar, Lili --- Moulène, Jean-Luc --- Baer, Jo --- Swennen, Walter --- Baloji, Sammy --- Broodthaers, Marcel --- Meuris, Wesley --- Janssens, Ann Veronica --- Macuga, Goshka --- Gallagher, Ellen --- Genzken, Isa --- Bijl, Guillaume --- Wächtler, Peter --- Braeckman, Dirk --- Mosquito, Nástio --- Hirschhorn, Thomas --- Baba-Ali, Younes --- Richter, Gerhard --- Trockel, Rosemarie --- Kippenberger, Martin --- Pinsky, Marina --- Jamie, Cameron --- Williams, Christopher --- anno 2000-2099 --- anno 1900-1999 --- Brussels --- Musea ; Brussel ; participatie ; naar een museum van de 21ste eeuw? --- Beeldende kunst ; 20ste en 21ste eeuw --- Tentoonstellingscatalogi ; Brussel ; Wiels --- Kunstgeschiedenis ; 2000 - 2050 --- MAD-faculty 17 --- hedendaagse kunst --- tentoonstellingscatalogus --- Baer, Josephine Gail --- 700 --- Brussel musea --- kunst algemeen --- art généralités --- Museum techniques --- History
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"Video is everywhere. Since its debut as a consumer medium in the 1960s, video has shaped our opinions, our politics and our societies. On our phones and computer screens, walls and streets, it defines new spaces and experiences--spreading memes, lies, fervor, fact and fiction. In other words, video has transformed the world. Featuring works from the collection of the Museum of Modern Art, New York, this illuminating exhibition catalog--MoMA's first major publication on video art in nearly 30 years--explores the ways in which artists have both championed and questioned video's promise, some hoping to create new networks of communication, democratic engagement and public participation, others protesting commercial and state control over information, vision and truth itself. Lavishly illustrated essays by esteemed scholars and artists--including Ina Blom, Aria Dean, David Joselit, Pamela M. Lee, Glenn Ligon and Ravi Sundaram--highlight video's widely varied formats, contexts and global reach. Signals is a manual for understanding the present, an era in which video has pervaded all aspects of life"--
Video art --- Experimental films --- film --- kunst --- videokunst --- 791.45 --- videoinstallaties --- videokunst en openbare ruimte --- Abu Hamdan Lawrence --- Ant Farm --- American Artist --- Béar Liza --- Bender Gretchen --- Birnbaum Dara --- Black Audio Film Collective --- CADA (Colectivo Acciones de Arte) --- Callas Peter --- Delat Chto --- Cokes Tony --- Cort David --- Davidovich Jaime --- Export Valie --- Farocki Harun --- Galindo Regina José --- Galloway Kit --- Geiger Anna Bella --- General Idea --- Gillette Frank --- Graham Dan --- Hatoum Mona --- Hughes Every Ocean --- Idemitsu Mako --- Iveković Sanja --- Jacir Emily --- Jenkins Ulysses --- Kanwar Amar --- Kavelina Dana --- Klier Michael --- Leeson Lynn Hershman --- Leppe Carlos --- Masayesva Jr. Victor --- Minujín Marta --- Motta Carlos --- Mujinga Sandra --- Muntadas --- Nakaya Fujiko --- New Red Order --- Not Channel Zero --- Paik Nam June --- Parente Letícia --- Perry Sondra --- Pindell Howardena --- Raad Walid --- Raindance Corporation --- Riggs Marlon --- Rosler Martha --- Santos Eder --- Scher Julia --- Serra Richard --- Sia Tiffany --- Song Dong --- Stark Frances --- Syms Martine --- Tajiri Rea --- Tas Marcelo --- Tsang Wu --- TVTV --- Vanderbeek Stan --- Videofreex --- Vostell Wolf --- Wong Ming --- Zhen Xu --- Yalter Nil --- Yau Ching --- Žmijewski Artur --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Time-based art --- History --- Museum of Modern Art (New York, N.Y.) --- New York (City). --- New York (N.Y.). --- Nyū Yōku Kindai Bijutsukan --- MOMA --- video [discipline] --- video artists --- experimental films --- multimediakunst
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